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Swash (typography) A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. [1] [2] [3] The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi 's La Operina, which is dated 1522. As with italic type in general, they ...
Gill Kayo. Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards. Gill Sans is based on Edward Johnston 's 1916 "Underground Alphabet", the corporate font of London Underground. As a young artist, Gill had assisted Johnston in its early development stages.
D'Nealian. The D'Nealian Method (sometimes misspelled Denealian) is a style of writing and teaching handwriting based on Latin script which was developed between 1965 and 1978 by Donald N. Thurber (1927–2020) in Michigan, United States. Building on his experience as a primary school teacher, Thurber aimed to make the transition from print ...
Mrs Eaves is a transitional serif typeface designed by Zuzana Licko in 1996. It is a variant of Baskerville, which was designed in Birmingham, England, in the 1750s.Mrs Eaves adapts Baskerville for use in display contexts, such as headings and book blurbs, through the use of a low x-height and a range of unusual combined characters or ligatures.
Verdana Ref is a custom version of Verdana for use with Microsoft Reference. It is used in Microsoft Bookshelf 2000, Encarta Encyclopedia Deluxe 99, Encarta Virtual Globe 99, Office 2000 Premium, Publisher 2000. MS Reference Sans Serif is a derivative of Verdana Ref with bold and italic fonts. This font family is included with Microsoft Encarta .
EB Garamond is a free and open source implementation of Claude Garamond’s typeface, Garamond, and the matching Italic, Greek and Cyrillic characters designed by Robert Granjon. Its name is a shortening of Egenolff–Berner Garamond which refers to the fact that the letter forms are taken from the Egenolff–Berner specimen printed in 1592.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [1]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [2] [3] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
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