Search results
Results From The WOW.Com Content Network
The Loadsamoney character was created in reaction to the policies of the Thatcher government of the day. The song also spawned a sold-out live tour. [2] In May 1988, Labour Party leader Neil Kinnock used the term loadsamoney to criticise the policies of the Conservative government and journalists began to refer to the "loadsamoney mentality" and the "loadsamoney economy".
Jiggle Jiggle. " Jiggle Jiggle " is a 2022 single by British-American journalist and documentary maker Louis Theroux, produced by Manchester -based DJ duo Duke & Jones (Isaac McKelvey and Luke Conibear). The song was created based on a rap trend that Theroux had been involved in, featuring a snippet of him rapping on the "Gangsta Rap" episode ...
Released: August 22, 1989. UHF – Original Motion Picture Soundtrack and Other Stuff is the sixth studio album and soundtrack album by the American parody musician "Weird Al" Yankovic, released on July 18, 1989. The album is the final of Yankovic's to be produced by former McCoys guitarist Rick Derringer. Recorded between December 1988 and May ...
Spoof of Bohemian Rhapsody, both the song and video. TV Oxygen "Baby Girl Power" At a maternity ward, a pink cap for a baby girl is found on the floor. Soon, all the babies take off their caps, signifying they should not be categorized. Website AutoTrader.com "I Need a Car" A man stands in a vast, featureless white room. He says, "I need a car."
You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563.
If you think you know which Christmas song has made the most money over the years, think again! Check out this surprising list of the top ten highest-earning Christmas songs.
Official audio. "Money (That's What I Want)" on YouTube. " Money (That's What I Want) " is a rhythm and blues song written by Tamla founder Berry Gordy and Janie Bradford, which was the first hit record for Gordy's Motown enterprise. Barrett Strong recorded it in 1959 as a single for the Tamla label, distributed nationally on Anna Records.
Here's the deal: Dolly owns her entire catalog of music, which consists of more than 3,000 song credits and is estimated to be worth about $150 million, according to Forbes.