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In 1883, English painter Walter Langley created "For Men Must Work and Women Must Weep", a watercolour painting based on Kingsley's poem. [4] The song (as arranged by Hullah) was a frequently sung by popular vocalists such as Antoinette Sterling and Charlotte Sainton-Dolby , each of whom gave distinctly different interpretations.
Signature. Ella Wheeler Wilcox (November 5, 1850 – October 30, 1919) was an American author and poet. Her works include the collection Poems of Passion and the poem "Solitude", which contains the lines "Laugh, and the world laughs with you; weep, and you weep alone." Her autobiography, The Worlds and I, was published in 1918, a year before ...
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.
1883. (TV series) 1883 is an American Western drama miniseries created by Taylor Sheridan that premiered on December 19, 2021, on Paramount+. The series stars Tim McGraw, Faith Hill, Sam Elliott, Isabel May, LaMonica Garrett, Marc Rissmann, Audie Rick, Eric Nelsen, and James Landry Hébert. The story is chronologically the first of several ...
See media help. "How They Brought the Good News from Ghent to Aix" is a poem by Robert Browning published in Dramatic Romances and Lyrics, 1845. [ 1] The poem, one of the volume's "dramatic romances", is a first-person narrative told, in breathless galloping meter, by one of three riders; the midnight errand is urgent—"the news which alone ...
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The story is written without the use of quotation marks, and the dialogue is not distinguished from the narrator's comments. The story is rendered from the subjective point of view of the doctor and explores both his admiration for the child and disgust with the parents, and his guilty enjoyment of forcefully subduing the stubborn child in an attempt to acquire the throat sample.