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  2. C-flat major - Wikipedia

    en.wikipedia.org/wiki/C-flat_major

    C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...

  3. Major chord - Wikipedia

    en.wikipedia.org/wiki/Major_chord

    Major chord. In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: A major triad has a major third (M3) on the bottom, a minor third (m3) on ...

  4. C major - Wikipedia

    en.wikipedia.org/wiki/C_major

    See also List of symphonies in C major.) Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4]

  5. C minor - Wikipedia

    en.wikipedia.org/wiki/C_minor

    Passacaglia and Fugue in C minor, BWV 582; Lute Suite in C minor, BWV 997; Cello Suite No. 5, BWV 1011; The Musical Offering, BWV 1079; Partita No. 2, BWV 826; Ludwig van Beethoven (See Beethoven and C minor) Piano Sonata No. 5; Piano Sonata No. 8 (Pathétique) Piano Concerto No. 3; Coriolan Overture; Symphony No. 5; Choral Fantasy; Piano ...

  6. Neapolitan chord - Wikipedia

    en.wikipedia.org/wiki/Neapolitan_chord

    Neapolitan chord. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered ( flattened) second ( supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [1] since in minor scales the chord is built on the notes of the corresponding Phrygian mode .

  7. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    Common jazz parlance refers to upper structures by way of the interval between the root of the bottom chord and the root of the triad juxtaposed above it. [2] For instance, in example one above (C 7♯9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper ...

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