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"7empest" (pronounced "tempest") is a song by American rock band Tool. Clocking in at over 15 minutes in length, it is the final song on the band's fifth studio album, Fear Inoculum.
Tool's stage show grew with the addition of two giant projection screens. Keenan would paint himself blue and white for his performances, and Chancellor would also sometimes be painted with spots. Although the band was changing the set list up quite a bit at the beginning of the tour, they fell into a 'comfortable' set list during November ...
Paul D'Amour (born May 12, 1967) is an American musician and was the first bassist for Tool. [1] His bass sound is recognized by the aggressive picked tone he developed with his Chris Squire Signature Rickenbacker 4001CS, which can be heard on Tool's first full-length album, Undertow.
Opiate is an EP by the American rock band Tool. It was produced and engineered by Sylvia Massy and Steve Hansgen. Released in 1992, it was the result of two years of the band playing together after their formation in 1990. Opiate preceded Tool's first full-length release, Undertow, by a year.
Undertow is a 1949 American film noir crime film directed by William Castle and starring Scott Brady, John Russell, Dorothy Hart and Peggy Dow.It is the story of an ex-con, a former Chicago mobster, who is accused of the murder of a high-ranking Chicago boss.
Undertow is a 2004 American psychological thriller film co-written and directed by David Gordon Green and starring Jamie Bell, Devon Alan, Dermot Mulroney and Josh Lucas. Taking place in Georgia , the film tells the story of two boys pursued by a murderous uncle.
Undertow is a 2018 Australian psychological thriller film written and directed by Miranda Nation. The film premiered in August 2018 at the Melbourne International Film Festival, and in June 2019 at the Edinburgh International Film Festival. [2] [3] It was released in Australian cinemas in February 2020. [4]
Undertow (Spanish: Contracorriente) is a 2009 romantic drama film directed, written and produced by Javier Fuentes-León in his directorial debut. Initial financing came from Germany and France with additional financing from Peru. [ 2 ]