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Flower paintings of Georgia O'Keeffe. Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [ 1] which she painted from the mid-1920s through the 1950s. [ 2] She made about 200 paintings of flowers of the more than 2,000 ...
Georgia O'Keeffe. Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings ...
Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions ...
Georgia Totto O'Keeffe was born on a farm near Sun Prairie in Wisconsin's Dane County on Nov. 15, 1887. She was the second oldest child and oldest daughter of Francis Calyxtus O'Keeffe and Ida ...
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 3/4 x 11 1/2 in. (45.1 x 29.2 cm), between 1903 and 1905. She joined her family in Virginia in 1903 and completed high school as a boarder at Chatham Episcopal Institute in Virginia (now Chatham Hall) and graduated in 1905. [4] [9] Elizabeth May Willis, who studied at Art ...
She later compared it to O'Keeffe's signature motifs of erotic flowers and desert skulls, calling Light Coming on the Plains III "one of the purest and most radical images O’Keeffe ever made". About the motivation and development of the work, Cumming states, "Daybreak over Texas, and Georgia O’Keeffe is out in the landscape, mesmerised by ...
Black Iris, The Met. Black Iris, formerly called Black Iris III, [ 1][ 2] is a 1926 oil painting by Georgia O'Keeffe. [ 3] Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. [ 4][ 5] O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work, in which she wrote ...
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