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Victorian decorative arts. Dante Gabriel Rossetti 's drawing room at No. 16 Cheyne Walk, 1882, by Henry Treffry Dunn. Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and ...
Fort Design Studio partners Hilary Colia and Jennifer Kostohryz covered every inch of a traditional home in Fort Worth, Texas, with wallpaper and textiles. Get Ready to Obsess Over Every Pattern ...
Modern furniture. Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post- World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture ...
Interior design is the art and science of understanding people's behavior to create functional spaces, that are aesthetically pleasing, within a building. Decoration is the furnishing or adorning of a space with decorative elements, sometimes complemented by advice and practical assistance.
International, Bauhaus. Mid-century modern ( MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in the United States, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period. [ 2]
Art Deco, short for the French Arts décoratifs ( lit. 'Decorative Arts' ), [ 1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I ), [ 2] and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and ...
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...
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