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Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imazighne, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by indigenous Berber people (in the Berber language Tamazight ...
List of lucky symbols. A keychain containing a four-leaf clover. A good luck charm is an amulet or other item that is believed to bring good luck. Almost any object can be used as a charm. Coins, horseshoes and buttons are examples, as are small objects given as gifts, due to the favorable associations they make.
A polychromatic Greek necklace with butterfly Krishna Roy pendant. In Ancient Greece, delicately made gold necklaces created with repoussé and plaited gold wires were worn. Most often these necklaces were ornamented with blue or green enameled rosettes, animal shapes, or vase-shaped pendants that were often detailed with fringes.
Akan art is an art form that originated among the Akan people of Southern Ghana. [1] Akan art is known for vibrant artistic traditions, including textiles, sculpture, Akan goldweights, as well as gold and silver jewelry. The Akan people are known for their strong connection between visual and verbal expressions and a distinctive blending of art ...
The Agadez Cross (also Agadès Cross, Cross of Niger, French: Croix d’Agadez) is the most popular category of Saharan Berber jewelry made especially by the Tuareg people of Niger. Only a few of these pieces of jewelry exactly resemble a cross. For most of them, it is a pendant with a varied silhouette, related either to a cross (tanaghilt ...
Necklace for personal adornment made from ostrich eggshell beads. Data derived from studying some modern African populations suggests that these beads hold symbolic meaning as personal adornment. [3] The ethnographic data also show that individual beads can be used as a means to display social information, such as details about group norms. [3]
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