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help. " The Final Countdown " is a song by Swedish rock band Europe, released in 1986. Written by lead singer Joey Tempest, it was based on a keyboard riff he made in the early 1980s, with lyrics inspired by David Bowie 's " Space Oddity ". Originally made to just be a concert opener, it is the first single and title track from the band's third ...
Europe is a Swedish rock band formed in Upplands Väsby in 1979, [5] by lead vocalist Joey Tempest, guitarist John Norum, bassist Peter Olsson, and drummer Tony Reno. They obtained a major breakthrough in Sweden in 1982 by winning the televised competition " Rock-SM " (Swedish Rock Championships); it was the first time this competition was held ...
Olympic songs and anthems are adopted officially by International Olympic Committee (or by official broadcasters and partners selected by IOC), to be used prior to the Olympic Games and to accompany the games during the event.
In terms of shape, Europe is a collection of connected peninsulas and nearby islands. The two largest peninsulas are Europe itself and Scandinavia to the north, divided from each other by the Baltic Sea. Three smaller peninsulas— Iberia, Italy, and the Balkans —emerge from the southern margin of the mainland.
The song Die Wacht am Rhein, which almost became a national anthem. Das Rheingold – inspired by the Nibelungenlied, the Rhine is one of the settings for the first opera of Richard Wagner's Der Ring des Nibelungen. The action of the epic opens and ends underneath the Rhine, where three Rheinmaidens swim and protect a hoard of gold.
In 2014, American singer-songwriter, Melanie Martinez, released a song "Carousel", using carousel as a metaphor for love which goes in circles endlessly. [81] The children's television programme Playdays had a roundabout called Rosie who was the focus of episodes broadcast on Wednesdays from 1992 to 1997, maintained by Mr. Jolly.
"Atlantis" is a song written and performed by Scottish singer-songwriter Donovan. Produced by Mickie Most for Donovan's seventh studio album Barabajagal (1969), the song tells of a mythological antediluvian civilization based on the fictional island mentioned in an allegory on the hubris of nations in Plato's works Timaeus and Critias, with much of the verses spoken as a quiet monologue.
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