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Ink on paper, 9 1⁄4 × 8 1⁄8 " (23.5 × 20.6 cm). Museum of Modern Art, New York. Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. This drawing technique was popularized in the early 1920s, by Andre Masson and Hans Arp.
Aerography was innovative media used by Man Ray in a series of paintings over the period from 1917 to 1919. "Seguidilla" (1919) is one of these pictures. Both conceptually and technically the airbrush painting method presented a new point of departure from a traditional way of painting.
The vanishing point theorem is the principal theorem in the science of perspective. It says that the image in a picture plane π of a line L in space, not parallel to the picture, is determined by its intersection with π and its vanishing point. Some authors have used the phrase, "the image of a line includes its vanishing point".
Woodcut, a type of relief print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, and by the 5th century was used in China for printing text and images on paper.[1] Woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe.
Technical drawings. Technical drawing, drafting or drawing, is the act and discipline of composing drawings that visually communicate how something functions or is constructed. Technical drawing is essential for communicating ideas in industry and engineering . To make the drawings easier to understand, people use familiar symbols, perspectives ...
A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by ...
Pointillism. Pointillism ( / ˈpwæ̃tɪlɪzəm /, also US: / ˈpwɑːn - ˌ ˈpɔɪn -/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism.
All-over painting refers to the non-differential treatment of the surface of a work of two-dimensional art, for instance a painting. This concept is most popularly thought of as emerging in relation to the so-called "drip" paintings of Jackson Pollock and the "automatic writing" or "abstract calligraphy" of Mark Tobey in the 1950s, though the applicability of the term all-over painting would ...
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