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Gill's aim was to blend the influences of Johnston, classic serif typefaces and Roman inscriptions to create a design that looked both cleanly modern and classical at the same time. Designed before setting documents entirely in sans-serif text was common, its standard weight is noticeably bolder than most modern body text fonts.
Futura (typeface) Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt -project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
The typeface is characterized by its wide apertures on many letters and a large x-height, making it highly legible on screens and at small sizes. Being part of the humanist genre of sans-serif typefaces, it also features a true italic style. As of July 2018, Open Sans is the second most widely used font on Google Fonts, serving over four billion views per day across more than 20 million ...
Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large.
List of sans serif typefaces This list of sans-serif typefaces details standard sans-serif fonts used in classical typesetting and printing .
Verdana Ref is a custom version of Verdana for use with Microsoft Reference. It is used in Microsoft Bookshelf 2000, Encarta Encyclopedia Deluxe 99, Encarta Virtual Globe 99, Office 2000 Premium, Publisher 2000. MS Reference Sans Serif is a derivative of Verdana Ref with bold and italic fonts. This font family is included with Microsoft Encarta .
Sans serif text typefaces (without serifs) often are used for introductory paragraphs, incidental text, and whole short articles. A current fashion is to pair a sans-serif typeface for headings with a high-performance serif typeface of matching style for the text of an article.
Whitney is a family of humanist sans-serif digital typefaces, designed by American type designer Tobias Frere-Jones. [1] It was originally created for New York’s Whitney Museum as its institutional typeface. [2] Two key requirements were flexibility for editorial requirements and a design consistency with the Whitney Museum's existing public signage.
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