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A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph , but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Private collection. View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker's View of the World or simply View of the World) is a 1976 illustration by Saul Steinberg that served as the cover of the March 29, 1976, edition of The New Yorker. The work presents the view from Manhattan of the rest of ...
Orthographic projection (also orthogonal projection and analemma) [a] is a means of representing three-dimensional objects in two dimensions.Orthographic projection is a form of parallel projection in which all the projection lines are orthogonal to the projection plane, [2] resulting in every plane of the scene appearing in affine transformation on the viewing surface.
View of Venice, also known as the de' Barbari Map, is a monumental woodcut print showing a bird's-eye view of the city of Venice from the southwest. It bears the title and date "VENETIE MD" ("Venice 1500"). It was printed from six wooden blocks designed from 1498 to 1500 by Jacopo de' Barbari, and then published in late 1500 by the Nuremberg ...
The vanishing point theorem is the principal theorem in the science of perspective. It says that the image in a picture plane π of a line L in space, not parallel to the picture, is determined by its intersection with π and its vanishing point. Some authors have used the phrase, "the image of a line includes its vanishing point".
Pictorial maps (also known as illustrated maps, panoramic maps, perspective maps, bird's-eye view maps, and geopictorial maps) depict a given territory with a more artistic rather than technical style. [1] It is a type of map in contrast to road map, atlas, or topographic map. The cartography can be a sophisticated 3-D perspective landscape or ...
A fermata ( Italian: [ferˈmaːta]; "from fermare, to stay, or stop"; [2] also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond the normal duration its note value would indicate. [3]
Fann began by stripping the leaves from the branches that would form the walls of the birds nest, and fitting them into a "flowing form integrating structural integrity with artistic flow."