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Bahay Kubo ( 3:35) Instrumental rendition performed by Kabataang Silay Rondalla in 2015. " Bahay Kubo " is a Tagalog-language folk song from the lowlands of Luzon, Philippines. [ 1] In 1964, it was included in a collection of Filipino folk songs compiled by Emilia S. Cavan. [ 2]
Atin Cu Pung Singsing. Atin Cu Pung Singsing is a traditional Filipino folk song [ 1] from Central Luzon, Philippines in Kapampangan [ 2] sung by adults and children. The origin of the song is unknown, and there was a debate whether it was pre-historic [ 3] or colonial. [ 4] But its melody is most likely from the 18th century as it was similar ...
Bahay kubo with walls made of thatch. The bahay kubo, kubo, or payag (in the Visayan languages) is a type of stilt house indigenous to the Philippines. [ 1][ 2] It often serves as an icon of Philippine culture. [ 3] The house is exclusive to the lowland population of unified Spanish conquered territories.
Filipino architecture is influenced by the folk architecture of its ethnic groups, including the bahay kubo, bahay na bato, torogan, idjang, payyo, and shrines and mosques. [286] Western Baroque architecture was introduced by the Spanish during the 16th century; examples are the Manila Cathedral and Boljoon Church .
Magtanim ay 'Di Biro ( transl. "Planting rice is never fun", [ 1][ a] and known in its English title as Planting Rice) [ 1] is a popular Tagalog folk song composed by Felipe de León. [ 2][ 3] The song tells of the struggles of farmers, how one must twist and bend to plant rice in the muddy paddies all day, with no chance to sit nor stand. [ 2][ 4]
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Manila sound. Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM .
A Filipino rondalla performing a stylized version of the local folk song "Bahay Kubo" The rondalla (also rondalya) was introduced to the Philippines when it was part of the Spanish East Indies. In the early Spanish period, certain styles were adopted by the natives, especially guitarra and bandurria used in the pandanggo, the jota, and the polka.