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When the symbol "9" is not preceded by the word "major" or "maj" (e.g., C 9), the chord is a dominant ninth. That is, the implied seventh chord is a dominant seventh , i.e. a major triad plus the minor seventh, to which the ninth is added: e.g., a C 9 consists of C, E, G, B ♭ and D. C dominant ninth (C 9 ) would usually be expected to resolve ...
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[ 7] (which could also be called ♭ V 7 /V, subV 7, [ 7] or V 7 / ♭ V [ 7] ).
Nashville Number System. The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [ 1] It resembles the Roman numeral [ 2] and ...
These indicate a chord formed by the notes C–E–G ♯ –B ♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G ♯, and the (minor) seventh interval from C to B ♭ . Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis ...
5–32 / 7–32. In music, the dominant 7♯9 chord[ 1 ] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
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