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The lyrics of "Southern Man" describe the racism towards blacks in the American South. In the song, Young tells the story of a white man (symbolically the entire white South) and how he mistreated his slaves. Young pleadingly asks when the South will make amends for the fortunes built through slavery when he sings: I saw cotton and I saw black,
Song of the South is a 1946 American live-action/animated musical comedy-drama film directed by Harve Foster and Wilfred Jackson, produced by Walt Disney, and released by RKO Radio Pictures. It is based on the Uncle Remus stories as adapted by Joel Chandler Harris , and stars James Baskett as Uncle Remus in his final film role.
The lyrics of this official version were written in 1907 in Cuba by G. Savoca, the regimental band leader (died 1912), after the regiment was formed in 1901 to serve in the Philippines. According to Harry McClintock , the tune was borrowed from an official march of the Philippine Constabulary Band , as played at the St. Louis Exposition in 1904 .
Even as controversy clung to Song of the South, it took Disney decades to fully reckon with its legacy.The movie was re-released in theaters multiple times, most recently on its 40th anniversary ...
Song of the South (song) " Song of the South " is a song written by Bob McDill. First recorded by American country music artist Bobby Bare on his 1980 album Drunk & Crazy, a version by Johnny Russell reached number 57 on the U.S. Billboard country chart in 1981. Another cover by Tom T. Hall and Earl Scruggs peaked at number 72 in 1982 from the ...
"Zip-a-Dee-Doo-Dah" is a song composed by Allie Wrubel with lyrics by Ray Gilbert for the Disney 1946 live action and animated movie Song of the South, sung by James Baskett. For "Zip-a-Dee-Doo-Dah", the film won the Academy Award for Best Original Song and was the second Disney song to win this award, after "When You Wish upon a Star" from Pinocchio (1940).
Sitsiritsit, also known as Sitsiritsit Alibangbang, is a Filipino folk song. This humorous song describes a flirtatious woman threatening a storeowner that the ants are going to get him if he is not going to extend credit, as well as unusual situations of exchanging a child for a doll or bagoong. It is said to have originated during the country ...
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.