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Many early slab-serif types, being intended for posters, only come in bold styles with the key differentiation being width, and often have no lower-case letters at all. Examples of slab-serif typefaces include Clarendon , Rockwell , Archer , Courier , Excelsior , TheSerif , and Zilla Slab .
Bodoni ( / bəˈdoʊni /, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [1] [2] Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type ...
This list of samples of serif typefaces details standard serif fonts used in printing, ... Class: Slab serif : Additional serif typefaces
Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also ...
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Mathematical Alphanumeric Symbols is a Unicode block comprising styled forms of Latin and Greek letters and decimal digits that enable mathematicians to denote different notions with different letter styles. The letters in various fonts often have specific, fixed meanings in particular areas of mathematics.
Didone ( / diˈdoʊni /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century. It is characterized by: Narrow and unbracketed (hairline) serifs. (The serifs have a nearly constant width along their length.) Vertical orientation of weight axes.
Emphasis (typography) Example of black letter emphasis using the technique of changing fonts. In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. [1] It is the equivalent of prosody stress in speech.