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Ernest Kaʻai (1881–1962) was considered by many to have been the foremost ukulele authority of his time and is noted by some as being "Hawaii's Greatest Ukulele Player". Kaʻai, who was born in Honolulu , Hawaii , was said to have been the first musician to play a complete melody with chords.
Harrison was an admirer of George Formby and a member of the Ukulele Society of Great Britain, and played a ukulele solo in the style of Formby at the end of "Free as a Bird". [249] He performed at a Formby convention in 1991, and served as the honorary president of the George Formby Appreciation Society. [250]
Townshend was born in Chiswick, West London, at the Chiswick Hospital, Netheravon Road, in the UK.He came from a musical family: his father, Cliff Townshend, was a professional alto saxophonist in the Royal Air Force's dance band the Squadronaires and his mother, Betty (née Dennis), was a singer with the Sidney Torch and Les Douglass Orchestras.
Four-string banjos can be used for chordal accompaniment (as in early jazz), for single-string melody playing (as in Irish traditional music), in "chord melody" style (a succession of chords in which the highest notes carry the melody), in tremolo style (both on chords and single strings), and a mixed technique called duo style that combines ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
Hendrix's paternal grandparents, Ross and Nora Hendrix, pre-1912. Hendrix was of African American and alleged Cherokee descent. [nb 1] His paternal grandfather, Bertran Philander Ross Hendrix, was born in 1866 from an extramarital affair between a woman named Fanny and a grain merchant from either Urbana, Ohio or Illinois, one of the wealthiest men in the area at that time.
Chords that cannot be reduced to stacked thirds (e.g. chords of stacked fourths) may not be amenable to the concept of root, although in practice, in a lead sheet, the composer may specify that a quartal chord has a certain root (e.g., a fake book chart that indicates that a song uses an A sus4(add ♭ 7) chord, which would use the notes A, D ...
Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).
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