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A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph , but also a drawing, and are often used in the making of blueprints, floor plans and maps.
The Cuban trogon is the national bird of Cuba. This is a list of birds species recorded in the archipelago of Cuba, which consists of the main island of Cuba and over 1000 smaller cays and islands. The confirmed avifauna of Cuba included a total of 407 species as of May 2023 according to the Annotated Checklist of the Birds of Cuba.
t. e. In architecture and building engineering, a floor plan is a technical drawing to scale, showing a view from above, of the relationships between rooms, spaces, traffic patterns, and other physical features at one level of a structure. Dimensions are usually drawn between the walls to specify room sizes and wall lengths.
The name of the anthology is a play on the phrase "bird's eye view", an elevated view of an object from above. However, 鳥, meaning bird, is replaced with 烏 meaning crow. It is generally accepted that this is meant to further the themes of anxiety and fear that the poetry deals with, as crows are traditionally associated with misfortune.
5 April 1969. ( 1969-04-05) –. 26 December 1971. ( 1971-12-26) Bird's Eye View is a British television series produced by the BBC between 1969 and 1971, initially transmitted on BBC2. It was edited by Edward Mirzoeff, and was filmed entirely from a helicopter. An initial Bird's Eye View of Great Britain was shown on Christmas Eve 1967 and ...
Zooming is a writing skill, as outlined in secondary education, [1] that gives the reader the feeling of moving through space towards or away from a character or object, especially used in descriptive writing. It can be divided into two types: zooming in and zooming out. The idea of zooming finds and analog in the cinematic technique of the ...
The artist Kazimir Malevich (1878–1935), who wrote extensively on the aesthetics and philosophy of modern art, identified the aerial landscape (especially the "bird's-eye view", looking straight down, as opposed to an oblique angle) as a genuinely new and radicalizing paradigm in the art of the twentieth century.
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