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Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
[1]: 1 For the first decades of the 20th century, male nude swimming was associated with a trope of the "old swimming hole" [2] as representing childhood innocence and adult masculinity. In their own classes, nudity was rare for girls based upon an assumption of modesty, but might include young children.
Kröller-Müller Museum [ 1], Otterlo. Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. [ 2][ 3] The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his ...
813.52. LC Class. PS3515.E37. The Old Man and the Sea is a 1952 novella by the American author Ernest Hemingway. Written between December 1950 and February 1951, it was the last major fictional work Hemingway published during his lifetime. It tells the story of Santiago, an aging fisherman, and his long struggle to catch a giant marlin.
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The book contains some 200 pictures of boys through the ages, and is a history of boys in Western art and classical mythology. [2] [10] [11] This includes an analysis of Classical, Neoclassical, and Renaissance art. [12] Pictures and discussions range from Cupid to Elvis, Boy George, Kurt Cobain, and Jim Morrison. [2]
Pendant Portraits of an Old Man and an Old Woman refers to two 1654 oil on canvas pendant portraits by Rembrandt, Portrait of an Old Man and Portrait of an Old Woman, usually identified as a single pair. Signed and dated by the artist, both works were in the collection of Heinrich von Brühl, whose heirs sold them to Catherine II of Russia in 1769.