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1940s-1970s. Thomas Lee "Tommy" Jackson Jr. (March 31, 1926 – December 9, 1979) was an American fiddle player, regarded as "one of the finest commercial fiddle players of all time". [ 1] He played on hundreds of country records from the 1940s to the 1970s, and it has been claimed that he "has probably been heard on more country records than ...
Graham's parents are Gaelic singer Daniel ("Danny" Danny Graham) and pianist Mary (Beaton) Graham. He began performing in public at age seven, when he sang a Gaelic song with his father in a concert in Glendale, Nova Scotia. He began taking fiddle lessons at age ten from his maternal uncle, Kinnon Beaton, a renowned Cape Breton fiddler and ...
Baker teamed with Graves until Graves' death in 2006. Baker is considered to be one of the most influential fiddlers in bluegrass music. His "long-bow" style added a smoothness and clarity to the fiddle-based music of his boss, Grand Ole Opry member Bill Monroe. His long tenure with Bill Monroe included banjo player Bill Keith 's development of ...
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island 's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. [1] These Scottish immigrants were primarily from Gaelic -speaking regions in the Scottish Highlands and ...
Jake Krack. Jake Krack playing the fiddle in 2009. Jake Krack (born 1984) son of Reed and Dara Krack, is a prominent young old-time fiddler and fiddle teacher from Nicut in the U.S. state of West Virginia. He began fiddling at age six [1] or eight. [2]
The accent on the Donegal fiddle tradition is somewhat more akin to the Scots tradition than to the Irish. The historical connection between the west coast of Scotland and Donegal is an ancient one (many shared names) as can be heard in the volume of strathspeys, schottisches , marches , and Donegal's own strong highland piping tradition.
Published in 477 tune books. Song. Songwriter (s) Unknown. " Flowers of Edinburgh " is a traditional fiddle tune, of eighteenth century Scottish lineage. It is also prominent in American fiddle, Canadian fiddle and wherever old time fiddle is cultivated. The tune is also the basis for a Morris Dance, in the Bledington style.
Athabaskan fiddle (or fiddle music, fiddling) is the old-time fiddle style that the Alaskan Athabaskans of the Interior Alaska have developed to play the fiddle ( violin ), solo and in folk ensembles. Fiddles were introduced in this area by Scottish, Irish, French Canadian, and Métis fur traders of the Hudson's Bay Company in the mid-19th century.
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