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Gaelic type (sometimes called Irish character, Irish type, or Gaelic script) is a family of Insular script typefaces devised for printing Classical Gaelic. It was widely used from the 16th century until the mid-18th century in Scotland and the mid-20th century in Ireland, but is now rarely used. Sometimes, all Gaelic typefaces are called Celtic ...
For the distinction between [ ], / / and , see IPA § Brackets and transcription delimiters. Blackletter (sometimes black letter or black-letter ), also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. [1]
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
Roman cursive. Sample of cursive letter shapes, with Old Roman Cursive in the upper rows and New Roman Cursive in the lower rows. Roman cursive (or Latin cursive) is a form of handwriting (or a script) used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old (or ancient) cursive and new cursive.
Cursive script ( Chinese: 草書, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư ), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [ 1]
A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur ( German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
Tom Light, designed by Thongterm Samerasut and released by the East Asiatic (Thailand) Company, was created as a body-text font for the newspaper, and featured geometrical designs invoking a sense of modernity. More typefaces, including ChuanPim, UThong and Klonglarn, emerged at the end of the decade.
A variety of different styles of calligraphy exist in Tibet: The Uchen (དབུ་ཅན།, "headed"; also transliterated as uchan or dbu-can) style of the Tibetan script is marked by heavy horizontal lines and tapering vertical lines, and is the most common script for writing in the Tibetan language, and also appears in printed form because of its exceptional clarity.
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