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  2. Grotesque (Stephenson Blake typefaces) - Wikipedia

    en.wikipedia.org/wiki/Grotesque_(Stephenson...

    Grotesque (Stephenson Blake typefaces) The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century. [1] Stephenson Blake's grotesque faces are in the traditional nineteenth-century "grotesque" style of sans ...

  3. Open-source Unicode typefaces - Wikipedia

    en.wikipedia.org/wiki/Open-source_Unicode_typefaces

    The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.

  4. Montserrat (typeface) - Wikipedia

    en.wikipedia.org/wiki/Montserrat_(typeface)

    Website. fonts .google .com /specimen /Montserrat. Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.

  5. Helvetica - Wikipedia

    en.wikipedia.org/wiki/Helvetica

    Helvetica. Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann. Helvetica is a neo-grotesque design, one influenced by the famous 19th-century (1890s) typeface Akzidenz-Grotesk and other German and Swiss designs. [ 2]

  6. Bodoni - Wikipedia

    en.wikipedia.org/wiki/Bodoni

    Bodoni ( / bəˈdoʊni /, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [ 1][ 2] Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type ...

  7. Atkinson Hyperlegible - Wikipedia

    en.wikipedia.org/wiki/Atkinson_Hyperlegible

    The font's normal appearance above, and a blur effect simulating how the same letters might appear to someone with a low-vision condition below The project began as part of a visual rebranding at the Braille Institute, [ 1 ] which contracted the studio Applied Design Works to work with a specialist in low-vision conditions from the Braille ...

  8. Centaur (typeface) - Wikipedia

    en.wikipedia.org/wiki/Centaur_(typeface)

    1929. Also known as. Metropolitan. Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance -period printing of Nicolas Jenson around 1470. [1] He used it for his design of the Oxford Lectern Bible. It was given widespread release by the British branch of Monotype, paired with an italic designed by ...

  9. History of Western typography - Wikipedia

    en.wikipedia.org/wiki/History_of_Western_typography

    While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types .

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