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Bodoni ( / bəˈdoʊni /, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [ 1][ 2] Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type ...
Helvetica. Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann. Helvetica is a neo-grotesque design, one influenced by the famous 19th-century (1890s) typeface Akzidenz-Grotesk and other German and Swiss designs. [ 2]
The design shows the smooth, gleaming finish of his paper and minimal title pages. Baskerville's typeface was part of an ambitious project to create books of the greatest possible quality. Baskerville was a wealthy industrialist, who had started his career as a writing-master (teacher of calligraphy) and carver of gravestones, before making a ...
Atkinson Hyperlegible. Atkinson Hyperlegible is a freely available typeface built around a grotesque sans-serif core, intended to be optimally legible for readers who are partially visually impaired, with all characters maximally distinguishable from one another.
Website. fonts .google .com /specimen /Montserrat. Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.
Didone (typography) Didot's type in the Code civil des Français, printed by the company of Firmin Didot in 1804. Didone ( / diˈdoʊni /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century. It is characterized by: Narrow and unbracketed (hairline ...
Bauhaus 93. The Bauhaus typeface design is based on Herbert Bayer 's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related ...
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
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