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The King Cole Trio singles chronology. "All for You". (1943) " Straighten Up and Fly Right ". (1944) "Gee, Baby, Ain't I Good to You". (1944) " Straighten Up and Fly Right " is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. [3] It was the trio's most popular single, reaching number ...
Nature Boy. For other uses, see Nature Boy (disambiguation). " Nature Boy " is a song first recorded by American jazz singer Nat King Cole. It was released on March 29, 1948, as a single by Capitol Records, and later appeared on the album, The Nat King Cole Story. It was written by Eden Ahbez as a tribute to Bill Pester, who practiced the ...
Christmas. Songwriter (s) Robert Wells. Mel Tormé. " The Christmas Song " (commonly subtitled " Chestnuts Roasting on an Open Fire " or, as it was originally subtitled, " Merry Christmas to You ") is a classic Christmas song written in 1945 [note 1] by Robert Wells and Mel Tormé . The Nat King Cole Trio first recorded the song in June 1946.
The King Cole Trio singles chronology. "The Frim-Fram Sauce". (1946) " (Get Your Kicks on) Route 66 ". (1946) "You Call It Madness (But I Call It Love)" (1946) " (Get Your Kicks on) Route 66 " is a popular rhythm and blues song, composed in 1946 by American songwriter Bobby Troup.
The King Cole Trio is a series of albums by jazz pianist Nat King Cole's King Cole Trio released by the Capitol Records label. These were Cole's debut commercial recordings. Originally recorded and released in sets of 78 r.p.m. records between 1944–49, they were reissued in 1950 on 10-inch LPs. The original releases of Volume 3 (as 78 r.p.m ...
The highest charting version is by Nat King Cole. It was recorded on May 16, 1963 at Capitol Records in Los Angeles with a Ralph Carmichael arrangement and was released August 31st, 1963. [2] It reached #12 on the Billboard charts Hot 100 and #3 on the Middle-Road Singles (Adult Contemporary) chart, [3] in 1963 .
Jimmy Leach. " The Little Boy that Santa Claus Forgot " is a 1937 [1] song written by Michael Carr, Tommie Connor, and Jimmy Leach, [1] most notably performed by Vera Lynn. [1] It is also known for the use of her version in the opening scene in Pink Floyd film Pink Floyd—The Wall (1982). [2] [3]
The song was written in the key of D-flat major. [1] The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." The song's verse is 32 bars long, and its chorus is 24 bars.
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