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Clothing in ancient Rome. Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga, draped over their tunic, and married citizen women wore a woolen mantle, known as a ...
For women, wearing a dressing gown was a break from tight corsets and layers of petticoats. Ladies wore their dressing gowns while eating breakfast, preparing for the day, sewing or having tea with their family. [2] Dressing gowns continued to be worn into the 20th century with similar garments like hostess dresses, robes, and peignoirs being used.
Madeleine Vionnet (pronounced [ma.də.lɛn vjɔ.ne]; June 22, 1876, Loiret, France – March 2, 1975) was a French fashion designer best known for being the “pioneer of the bias cut dress”, [1] [2] Vionnet trained in London before returning to France to establish her first fashion house in Paris in 1912.
A mantua (from the French manteuil or 'mantle') is an article of women's clothing worn in the late 17th century and 18th century. Initially a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and either a co-ordinating or contrasting petticoat . The mantua or manteau was a new fashion that arose in the 1670s.
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [ 1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to ...
Ottoman Sultan Suleiman the Magnificent adorned in a richly embroidered kaftan. A stylish young woman of the mid-17th century. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up. The fur lining of her yelek (jacket or vest) marks her as wealthy and high-ranking.
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