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The Toys That Made Us is an American documentary television series created by Brian Volk-Weiss. [ 1] The first four episodes of the series began streaming on Netflix on December 22, 2017, [ 2] and the next four were released on May 25, 2018. [ 3] The eight-episode documentary series, as it was originally touted, focuses on the history of ...
The Toys That Built America is an American nonfiction docudrama series that premiered on the History Channel on November 28, 2021. Each episode outlines the development of a popular toy, invention, or company in the United States, typically focusing on their rise and any rivals or struggles. Historical events in the relevant timelines are re ...
Netflix has a fantastic collection of documentaries or docuseries, from gripping true-crime tales to eye-opening environmental exposés to intimate looks into the lives of your favorite musical ...
Running time. 49–52 minutes. Original release. Release. February 21, 2020. ( 2020-02-21) Babies is a 2020 American documentary television series. The premise revolves around 15 families around the world during the first year of the life of their babies. [ 2][ 3]
Trust No One: The Hunt for the Crypto King. The Internet is ripe with scams and Netflix is determined to catch every single one. In Trust No One, a Canadian crypto founder mysteriously dies ...
The 15 Best Netflix Educational Shows for Kids. Todd Spangler. April 1, 2020 at 4:41 PM. ... Documentary about the construction of the nearly 130,000-square-foot house in Billund, Denmark ...
Language. English. Tell Me Who I Am is a 2019 documentary film directed and produced by the British filmmaker Ed Perkins. It focuses on twin brothers Alex and Marcus Lewis. Alex lost his memory in a motorcycle accident at age 18, and his twin brother helped him recreate his lost memories of his childhood. However, Marcus omits that the twins ...
The site's critical consensus reads, " American Murder: The Family Next Door chillingly unravels a brutal true crime story using the near-constant connectedness of the digital era." [ 11] In the New York Times, Bilal Qureshi reviewed the movie positively writing, "Popplewell’s film presents the Watts story as more than a crime story.
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