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Pointillism. Pointillism ( / ˈpwæ̃tɪlɪzəm /, also US: / ˈpwɑːn - ˌ ˈpɔɪn -/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism.
The vanishing point theorem is the principal theorem in the science of perspective. It says that the image in a picture plane π of a line L in space, not parallel to the picture, is determined by its intersection with π and its vanishing point. Some authors have used the phrase, "the image of a line includes its vanishing point".
Perspective (graphical) Linear or point-projection perspective (from Latin perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. [citation needed][dubious – discuss] Linear perspective is an approximate representation, generally on a flat surface, of an ...
In painting, photography, graphical perspective and descriptive geometry, a picture plane is an image plane located between the "eye point" (or oculus) and the object being viewed and is usually coextensive to the material surface of the work. It is ordinarily a vertical plane perpendicular to the sightline to the object of interest.
Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver.
Abstract art. Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [ 1] Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an ...
In art. In art, especially painting, aerial perspective or atmospheric perspective[ 5] refers to the technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects. This technique was introduced in painting by Leonardo da Vinci to portray what was observed in nature and ...
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...