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Two shot. Medium close-up. Close-up. Extreme close-up. Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera ...
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph , but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Graphical projection. A worm's-eye view is a description of the view of a scene from below that a worm might have if it could see. It is the opposite of a bird's-eye view. [1] It can give the impression that an object is tall and strong while the viewer is childlike or powerless. [2]
Basic definitions of terms. A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. A shot taken from an aerial device, generally while moving.
High-angle shot. A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up". [1] High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects. [2] In film, they can make the scene more ...
Aerial photography. An aerial photograph using a drone of Westerheversand Lighthouse, Germany. An aerial view of the city of Pori, Finland. Air photo of a military target used to evaluate the effect of bombing. Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms. [ 1]
Tilt (camera) One-way tilt head style tripod head. Tilting is a cinematographic technique in which the camera stays in a fixed position but rotates up/down in a vertical plane. [1] Tilting the camera results in a motion similar to someone raising or lowering their head to look up or down. It is distinguished from panning in which the camera is ...
In filmmaking, the 180-degree rule [1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second ...