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  2. God Bless America - Wikipedia

    en.wikipedia.org/wiki/God_Bless_America

    Connie Francis singles chronology. "Among My Souvenirs". (1959) " God Bless America ". (1959) "Mama". (1960) " God Bless America " is an American patriotic song written by Irving Berlin during World War I in 1918 and revised by him in the run-up to World War II in 1938. The later version was notably recorded by Kate Smith, becoming her ...

  3. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. Rotations ...

  5. Chromatic mediant - Wikipedia

    en.wikipedia.org/wiki/Chromatic_mediant

    A chromatic mediant relationship defined conservatively is a relationship between two sections and/or chords whose roots are related by a major third or minor third, and contain one common tone (thereby sharing the same quality, i.e. major or minor ). For example, in the key of C major the diatonic mediant and submediant are E minor and A minor ...

  6. Diatonic and chromatic - Wikipedia

    en.wikipedia.org/wiki/Diatonic_and_chromatic

    Bernhard Ziehn's 1907 list of, "diatonic triads", diatonic seventh-chords," and two examples of, "diatonic ninth-chords," the "large" and "small" ninth chords; all from the C major or the C harmonic minor scale. Diatonic chords are generally understood as those that are built using only notes from the same diatonic scale; all other chords are ...

  7. Passing chord - Wikipedia

    en.wikipedia.org/wiki/Passing_chord

    In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. [3] ". Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to ...

  8. Circle of fifths - Wikipedia

    en.wikipedia.org/wiki/Circle_of_fifths

    Therefore, it contains a diminished fifth, in C major between B and F. See structure implies multiplicity. The circle progression is commonly a circle of fifths through the diatonic chords, including one diminished chord. A circle progression in C major with chords I–IV–vii o –iii–vi–ii–V–I is shown below.

  9. Neapolitan chord - Wikipedia

    en.wikipedia.org/wiki/Neapolitan_chord

    Neapolitan chord. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered ( flattened) second ( supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [1] since in minor scales the chord is built on the notes of the corresponding Phrygian mode .

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