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Loudness Live 2002 is the seventh live album by the Japanese heavy metal band Loudness. It was recorded in 2002 and released in 2003 as a double multimedia CD. It was recorded in 2002 and released in 2003 as a double multimedia CD.
Loudness at Wacken Open Air 2022. This is the discography of Loudness, a pioneering Japanese heavy metal band formed in 1981 in Osaka.It consists of 26 studio albums, three EPs, eight live albums, 15 singles and 16 compilation albums, thus making Loudness one of the world's most prolific heavy metal bands.
Loudness (band) Loudness ( Japanese: ラウドネス, Hepburn: Raudonesu) is a Japanese heavy metal band formed in 1981 by guitarist Akira Takasaki and drummer Munetaka Higuchi. [ 1][ 2] They were the first Japanese metal act signed to a major label in the United States. Loudness subsequently released twenty-six studio albums (five licensed in ...
Loudness Live 2002; O. Once and for All (album) S. The Soldier's Just Came Back This page was last edited on 13 July 2019, at 11:35 (UTC). Text is available under ...
The Birthday Eve is the first studio album by Japanese heavy metal band Loudness. It was released in 1981 only in Japan. The 24bit digitally remastered Japanese limited edition CD includes two additional tracks not on the original release, coming from the first single of the band. [3] The success of the album was measured by Loudness' sold out ...
Guitar. Years active. 1973–present. Member of. Lazy, Loudness. Akira Takasaki (高崎 晃, Takasaki Akira, born February 22, 1961) is a Japanese musician. He is best known as the lead guitarist and sole constant member of the heavy metal band Loudness. He is also the guitarist of the band Lazy, with which he first rose to prominence in the 1970s.
Source. Rating. Maximum Metal. (very favourable) [1] Biosphere (新世界, Shin sekai) is the seventeenth studio album by the Japanese metal band Loudness. It was released only in Japan, in 2002.
Devil Soldier (戦慄の奇蹟, Senritsu no kiseki) is the second studio album by Japanese heavy metal band Loudness. [3] It was released in 1982. The American Daniel McClendon (brother of Tommy McClendon) was called to engineer the sound of this album, because there was no Japanese technician experienced enough in heavy metal records at the time.