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Ten Years After are a British blues rock group, most popular in the late 1960s and early 1970s. Between 1968 and 1973, the band had eight consecutive Top 40 albums on the UK Albums Chart. [ 2] In addition, they had twelve albums enter the US Billboard 200. [ 3] They are best known for tracks such as "I'm Going Home", "Hear Me Calling", "I'd ...
Ten Years After singles chronology. "Love Like a Man". (1970) " I'd Love to Change the World ". (1971) "Baby Won't You Let Me Rock 'n' Roll You". (1972) " I'd Love to Change the World " is a song by the British blues rock band Ten Years After. Written by Alvin Lee, it is the lead single from the band's 1971 album A Space in Time.
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Professional ratings. Rock & Roll Music to the World is the seventh studio album by the English blues rock band Ten Years After, released in 1972. It includes several Ten Years After standards, including "Standing at the Station", "Choo Choo Mama", and the title track.
Ten Years After is the debut album by English blues rock band Ten Years After. Recorded at Decca Studios in London in September 1967, and released on 27 October 1967, it was one of the first blues rock albums by British musicians. This album has less original material than the band's later works, most of which were composed entirely of Alvin ...
A Space in Time is the sixth studio album by the British blues rock band Ten Years After. It was released in August 1971 by Chrysalis Records in the United Kingdom and Columbia Records in the United States. A departure in style from their previous albums, A Space in Time is less 'heavy' than previous albums and includes more acoustic guitar ...
The Rolling Stone Album Guide. [ 5] Ssssh is the third studio album by the British blues rock band Ten Years After, released in 1969. The album peaked at No. 20 on the Billboard 200 [ 6] and No. 4 on the UK charts. [citation needed]
Stonedhenge features seven songs written by Alvin Lee, along with a song each from bass guitarist Leo Lyons, keyboardist Chick Churchill and drummer Ric Lee. [11] According to Beat Instrumental, it is a more of an experimental album than the group's earlier work, deploying "a lot of trickery and studio effects combined with fairly untypical Ten Years After material". [10]