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The Nocturne No. 20 in C♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Nocturnes (Chopin) Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [1] Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form ...
Fantaisie-Impromptu. Frédéric Chopin 's Fantaisie-Impromptu ( Polish: Fantazja-Impromptu) in C ♯ minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. [1] The Fantaisie-Impromptu is one of Chopin ...
The opening bars of No. 1 in C ♯ minor. The Nocturne in C-sharp minor, referred to as Nocturne No. 7 in the context of the complete set of Chopin's Nocturnes, is initially marked larghetto and is in 4 4 meter, written as common time. It transitions to più mosso (more movement) in measure 29, along with a time signature change to 3 4 meter.
Sergei Rachmaninoff 's Prelude in C-sharp minor (Russian: Прелюдия, romanized: Prelyudiya ), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62- bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems ...
The Scherzo No. 3, Op. 39, in C ♯ minor by Frédéric Chopin. He began composing it 1838 in the abandoned monastery of Valldemossa on the Balearic island of Majorca, Spain, and completed it back in France by the end of 1839. [1] This is the most terse, ironic, and tightly constructed of the four scherzi, with an almost Beethovenian grandeur.
The piece departs from the usual ternary form in a Chopin nocturne. The concluding section is not only unrelated thematically to the opening one but in a different key (F major). The last four bars return to G minor, though the final chord is major (a Picardy third), as is usual in a Chopin nocturne. Recording by Olga Gurevich from Musopen.
Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major). Besides the slower general pace, the melody is in quarter notes except for a few flourishes in eighth notes, giving this section the quality of an interlude before the dramatic restatement of Theme B.
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