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A Baju Kurung is a loose-fitting full-length dress, consisting of a blouse and a skirt. It is loosely translated as "enclosed dress". [4] Although Baju Kurung is the generic term of the attire for both males and females, in modern Malaysia, the female dress is referred to as Baju Kurung while the male dress is referred to as Baju Melayu.
In 2019, there is a surge of kebaya popularity among modern Indonesian women. At MRT stations in Jakarta, a number of kebaya enthusiasts campaigned to promote kebaya as an everyday fashion for work as well as for casual clothing on weekend. The movement sought to make wearing kebaya the norm among Indonesian women. [15]
Bodo blouse. Girls wearing baju bodo or bodo blouse, worn with woven sarong. The bodo blouse, locally known as baju bodo ( Buginese: ᨓᨍᨘ ᨄᨚᨊᨛᨌᨚ, romanized: waju ponco ), is a sheer and transparent short-sleeved loose blouse, a traditional attire for women of the Bugis and Makassar peoples of South Sulawesi, Indonesia. [ 1]
Kemben ( Javanese: ꦏꦼꦩ꧀ꦧꦼꦤ꧀, Indonesian: kemban) is an Indonesian female torso wrap historically common in Java, Bali, and other parts of the Indonesian archipelago. It is made by wrapping a piece of kain (clothes), either plain, batik printed, velvet, or any type of fabrics, covering the chest wrapped around the woman's torso.
Women wear kain batik and kebaya with selendang (sash), while men wear jas and dasi (western suit with tie) with peci cap. The national costume of Indonesia ( Indonesian: Pakaian Nasional Indonesia) is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions.
The culture of Indonesia ( Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity.
The roles of women in Indonesia today are being affected by many factors, including increased modernization, globalization, improved education and advances in technology. . Many Indonesian women choose to reside in cities instead of staying in townships to perform agricultural work because of personal, professional, and family-related necessities, and economic requiremen
Tapis craftswoman embroider the basic design pattern in the tapis-making process at Lampung, Indonesia. Tapis is generally made by Lampungese women. It consists of a woven, naturally coloured fabric with warped gold and silk embroidery. [10] [11] The gold thread, shaped in stripes, chevrons, and checks, contrasts the colours of the fabric.
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