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Prints were thus shown without any glass reflections obscuring them. Steichen's famous The Family of Man exhibition was unframed, the pictures pasted to panels. Even as late as 1966 Bill Brandt's MoMA show was unframed, with simple prints pasted to thin plywood. From the mid-1950s to about 2000 most gallery exhibitions had prints behind glass.
Chromogenic print. A chromogenic print, also known as a C-print or C-type print, [1] a silver halide print, [2] or a dye coupler print, [3] is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. [4] They are composed of three layers of gelatin, each containing an emulsion of ...
The Lace Maker. The Lace Maker (1662) is an oil on canvas painting by the Dutch painter Caspar Netscher. It is an example of a Dutch Golden Age painting and is part of the Wallace Collection . The woman is sitting working over a lace pillow on bobbin lace . This painting was documented by Hofstede de Groot in 1913, who wrote; "48.
Antwerp School. Quentin Matsys [1] ( Dutch: Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots ...
oil on canvas. Dimensions. 80 cm × 65 cm (31 in × 26 in) Location. Musée Fabre, Montpellier. Atelier de la rue Furstenberg ( Studio on Rue Furstenberg) is an 1866 oil-on-canvas painting by the 19th century French impressionist artist Frédéric Bazille, which has been in the collection of the Musée Fabre in Montpellier, France since 1985.
Barbara Kruger (born January 26, 1945) is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text.
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