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  2. Altered chord - Wikipedia

    en.wikipedia.org/wiki/Altered_chord

    An altered seventh chord is a seventh chord with one, or all, [15] of its factors raised or lowered by a semitone (altered), for example, the augmented seventh chord (7+ or 7+5) featuring a raised fifth (C E G ♯ B ♭ [16] (C 7+5: C–E–G ♯ –B ♭). The factors most likely to be altered are the fifth, then the ninth, then the thirteenth ...

  3. Altered scale - Wikipedia

    en.wikipedia.org/wiki/Altered_scale

    Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...

  4. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    4-27 / 8-27. In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1, ♭ 3, ♭ 5, ♭ 7). For example, the half-diminished seventh chord built on B, commonly ...

  5. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    Octave above the in alt octave, G 6 to G 7 in modo di In the art of, in the style of in stand A term for brass players that requires them to direct the bell of their instrument into the music stand, instead of up and toward the audience, thus muting the sound but without changing the timbre as a mute would [9] incalzando Getting faster and ...

  6. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[ 7] (which could also be called ♭ V 7 /V, subV 7, [ 7] or V 7 / ♭ V [ 7] ).

  7. Augmented seventh chord - Wikipedia

    en.wikipedia.org/wiki/Augmented_seventh_chord

    The augmented seventh chord, or seventh augmented fifth chord, [1] or seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and minor seventh (1, 3, ♯ 5, ♭ 7). [2] It can be viewed as an augmented triad with a minor seventh. [3] When using popular-music symbols, it is denoted by + 7, aug 7, [2] or 7♯5.

  8. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    Forte no. / Complement. 4-27 / 8-27. In music theory, a dominant seventh chord, or major minor seventh chord, [ a ] is a seventh chord, composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7". [ 3 ]

  9. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    F–C7–F, F–F ♯ 7–F, B–F ♯ 7–B, then B–C7–B. In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions.