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Reel (dance) The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of Britain, Ireland and North America. [ 1] In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey ...
Country-western two-step. The country/western two-step, often called the Texas two-step[ 2] or simply the two-step, [ 3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found ...
Jig. Dancing the Haymakers' Jig at an Irish ceilidh. The jig ( Irish: port, Scottish Gaelic: port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It first gained popularity in 16th-century England, Ireland, Scotland, and other parts of the British Isles, [ 1][ 2] and was adopted on mainland ...
Slip jig ( Irish: port luascach, port luascadh[ 1][ 2]) refers to both a style within Irish music, and the Irish dance to music in slip-jig time originating from England. The slip jig is in 9. 8 time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet / quaver (quarter note/eighth note) followed by a dotted crotchet note .
Scottish sword dances. The Sword Dance by David Cunliffe, 1853, depicting men of the 42nd Regiment of Foot (Black Watch) and 93rd (Sutherland Highlanders) The Sword dance is one of the best known of all Highland dances, an ancient dance of war. Performance of sword dances in the folklore of Scotland is recorded from as early as the 15th century.
The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can ...
In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 are found. In modern bal folk, waltzes in even higher metres are played and danced. Estonian folk dance Labajalavalss (flat of the foot waltz) performed in 3 4 time. [26] Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 ...
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.