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It can be danced to music with either a 2/4 or 4/4 time signature. [6] Older dance manuals specified the best effect is achieved when dancers have a smooth gliding motion in time to the music. For example, the 1939 book "Cowboy Dances" states that, "The real two-step should be smooth and beautiful to watch.
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
Nightclub two step ( NC2S, sometimes disco two step or California two step) is a partner dance initially developed by Buddy Schwimmer in the mid-1960s. The dance is also known as "Two Step" and was "one of the most popular forms of contemporary social dance" as a Disco Couples Dance in 1978. [ 1] It is frequently danced to mid-tempo ballads in 4.
4 and the half-jump step of the dance. [ 1] This name has been changed to "Polka" as an expression of honour and sympathy for the Poland and the Poles after November Uprising 1830-1831. "Polka" meaning in The Czech and Polish languages is "Polish woman". [ 2] The name was widely introduced into the major European languages in the early 1840s.
It is notated in 4 4 or 2 2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.
Time signature. 4. 4. Year. 1950's. Origin. Cuba. The cha-cha-cha (also called cha-cha ), is a dance of Cuban origin. [ 1][ 2] It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo.
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [ 1] It typically has a 2. 4 or 4. 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.