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It can be danced to music with either a 2/4 or 4/4 time signature. [6] Older dance manuals specified the best effect is achieved when dancers have a smooth gliding motion in time to the music. For example, the 1939 book "Cowboy Dances" states that, "The real two-step should be smooth and beautiful to watch.
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.
4 and the half-jump step of the dance. [ 1] This name has been changed to "Polka" as an expression of honour and sympathy for the Poland and the Poles after November Uprising 1830-1831. "Polka" meaning in The Czech and Polish languages is "Polish woman". [ 2] The name was widely introduced into the major European languages in the early 1840s.
The most common use of the term nowadays refers to a class of tunes in 4 4 time. The dance is done in hard shoes. Perhaps the best known example is the "Sailors' Hornpipe". There are two basic types of common-time hornpipe, ones like the "Sailors' Hornpipe", moving in even notes, sometimes notated in 2
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
It is notated in 4 4 or 2 2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.
The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can ...
In music of the common practice period (about 1600–1900), there are four different families of time signature in common use: Simple duple: two or four beats to a bar, each divided by two, the top number being "2" or "4" (2 4, 2 8, 2 2... 4 4, 4 8, 4 2...). When there are four beats to a bar, it is alternatively referred to as "quadruple" time.