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The relative minor of C Major is A Minor because if you look at the C Major Scale, it's the same notes as an A Minor scale. Relative minor is always the 6th degree of a major scale (A Major=F# Minor; Db Major=Bb Minor). E Minor however can work as a CM7, but removing the root, however scale-wise doesn't have any correlation with the C Major ...
First of all: Cm is C, Eb, G, not C, D#, G. Then; these are chords, not a scale. Not the same thing, and what you're looking for (and can't find) is not a scale, but a harmonic device - and the thing you're looking for is "chromatic mediant" (or "chromatic submediant"), which is basically an umbrella term for "chords that are a third away from ...
This is an important device in a minor key, to use a major V chord instead of the minor one from the natural scale (E instead of Em), because the relative major sound is naturally stronger. The more random a chord sequence is, using various chords from the C major/A minor scale, the more likely it is we'd hear C as "home".
I think the difficulty here comes from the entire progression not being found in a single consistent scale. C phyrgian alone doesn't describe this, as the Bmaj7 is also outside the key (no b natural, no F#/Gb in C Phyrgian). Likewise the Amaj7, we wouldn't have an A or E natural if it were strictly a C Phyrgian progression.
C major is a major scale and has C as a tonic. G is the dominant, F is the subdominant. A piece in C major will sound "major" and most likely and with C or a C major chord. A minor is a minor scale and has A as a tonic. E is the dominant, D is the subdominant. There might be an occasional G# as a leading note or in the dominant chord.
The E minor scale includes the 9th degree of the tonic major in C major as well as the F# which is the #11 of the Cmaj7 chord. This information relates to the Cmaj7 chord but it is useful to know. The E minor scale may not be the best choice over the chords, but it does contain all the notes of the C major scale and then diatonic tensions (F#).
3. Award. SignificantNeck. • 5 yr. ago. Aeolian is natural minor. 2. Award. C is just an example key though. The point is, I use helpers and there are multiple minor scales like harmonic minor, hungarian minor and they're….
As a classical musician yes you need all of them. If you’re producing electronic music & using an electric keyboard you can just keep playing c minor and use the transpose feature on your keyboard to put yourself into other keys. 2. BeowulfShaeffer. • 3 yr. ago.
Referencing the C Minor Natural scale, it shows this scale (these are from the answer key). I get intervals as WWHWWWH and that III, VI, and VII are 1/2 step lower. I can’t figure out how it goes from minor to dim to flat to minor.
F Minor to C as the F Minor scale ends on Eb and the C is literally right there for you to play!! 1. Award. Wombozo. • 5 yr. ago. Moving from Fm to Cm add some tensions, it can be done this way : Fm Ab G7 Cm, Ab being the pivot chord, or. Fm Bbm/F Db/F G7 Cm, using Neapolitan 6 chord bII in first inversion of Cm (Db/F)