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Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also ...
Cyrillic variant of the Futura typeface made for the Summer Olympic Games Moscow 1980. Autopilot controls of a Boeing 747 with legend written in Futura. Use of the font is widespread in the aerospace industry for flight instrument and control markings. A Cyrillic variant of the Futura Medium typography was made by Anatoli Muzanov for the 1980 ...
Microsoft Sans Serif is a TrueType font that is designed as a vectorized, metric-compatible variant of MS Sans Serif, distributed with Windows 2000 and later. This font also contains most glyphs shipped with any version of Windows until Windows Vista, excluding fonts supporting East Asian ideographs. The PostScript font name is MicrosoftSansSerif.
Bookman (typeface) Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of ...
Minion is a serif typeface released in 1990 by Adobe Systems. Designed by Robert Slimbach, it is inspired by late Renaissance -era type and intended for body text and extended reading. Minion's name comes from the traditional naming system for type sizes, in which minion is between nonpareil and brevier, with the type body 7pt in height.
MHRA Style Guide. Microsoft Manual of Style. MLA Handbook. The New York Times Manual. The Oxford Guide to Style/New Hart's Rules. Oxford Standard for Citation of Legal Authorities (OSCOLA) / Oxford style. Scientific Style and Format (CSE style) Turabian: A Manual for Writers. List of style guide abbreviations.
Emphasis (typography) Example of black letter emphasis using the technique of changing fonts. In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. [ 1] It is the equivalent of prosody stress in speech.
Robert Joseph Slimbach is Principal Type Designer at Adobe, Inc., where he has worked since 1987. [1] He has won many awards for his digital typeface designs, including the rarely awarded Prix Charles Peignot from the Association Typographique Internationale, the SoTA Typography Award, and repeated TDC 2 awards from the Type Directors Club. [2]