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Flower paintings of Georgia O'Keeffe. Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 ...
Painted in oil on a 13 in × 9⁄ in (33.0 cm × 24.1 cm) board, the red canna lily framed by green and dark yellow background colors at the top and right of the painting and dark blue at the bottom and left. [9] The carefully blended colors and voluptuous curves reflect her emerging personal style. [4] Once owned by Pollitzer family members of ...
1936. Type. Oil on linen. Dimensions. 180 cm × 212 cm (71 in × 83.5 in) Location. Indianapolis Museum of Art, Indianapolis. Jimson Weed is an oil on linen painting by American artist Georgia O'Keeffe from 1936, located in the Indianapolis Museum of Art in Indianapolis, Indiana. It depicts four large blossoms of jimson weed.
Black Iris, formerly called Black Iris III, [1] [2] is a 1926 oil painting by Georgia O'Keeffe. [3] Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. [4] [5] O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work, in which she wrote: "Well—I made you take ...
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Frida Kahlo Museum, Coyoacán, Mexico. 1943. Diego in My Thoughts ( Thinking of Diego) (Self-Portrait as a Tehuana) Diego en mi pensamiento ( Pensando en Diego) (Autorretrato como Tehuana) Oil on masonite, 76 x 61 cm [12] Collection of Jacques & Natasha Gelman, Mexico City, Mexico [12] 1943. Flower of Life.
The polka dot plant (Hypoestes phyllostachya) is a party in a pot (or garden bed), its vibrant foliage splashed with pink, white or red blotches or dots. Typically growing 12 to 18 inches tall ...
71 cm × 90 cm (28 in × 35 in) Location. National Gallery of Art, Washington, D.C. Accession. 1991.67.1. Still Life: Vase with Pink Roses was painted in 1890 by Vincent van Gogh in Saint-Rémy. At the time the work was painted Van Gogh was readying himself to leave the Saint-Rémy asylum for the quiet town of Auvers-sur-Oise outside of Paris.