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Viewing frustum. v. t. e. A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Jawab opposite the tomb of Princess Asiya Begum in the Husainabad Imambara complex (1862) Husainabad Mosque. Chota Imambara, also known as Imambara Hussainabad Mubarak is a monument located in the city of Lucknow, Uttar Pradesh, India. It took 54 years to build. Built as an imambara, or a congregation hall for Shia Muslims, by Muhammad Ali Shah ...
Swainson's warbler. Swallow tanager. Swallow-tailed bee-eater. Swallow-tailed cotinga. Swallow-tailed gull. Swallow-tailed hummingbird. Swallow-tailed kite. Swallow-tailed nightjar. Swallow-winged puffbird.
The hoopoe, center right, instructs the other birds on the Sufi path. The Conference of the Birds or Speech of the Birds ( Arabic: منطق الطیر, Manṭiq-uṭ-Ṭayr, also known as مقامات الطیور Maqāmāt-uṭ-Ṭuyūr; 1177) [1] is a Persian poem by Sufi poet Farid ud-Din Attar, commonly known as Attar of Nishapur.
The name of the anthology is a play on the phrase "bird's eye view", an elevated view of an object from above. However, 鳥, meaning bird, is replaced with 烏 meaning crow. It is generally accepted that this is meant to further the themes of anxiety and fear that the poetry deals with, as crows are traditionally associated with misfortune.
Californian artist Jayson Fann has created human-sized bird's nests that allow humans to sleep and live Bird's-Eye View: Artist Jayson Fann's Human-Sized Bird's Nests -- for People Skip to main ...
Modernist abstraction and the aerial landscape. The artist Kazimir Malevich (1878–1935), who wrote extensively on the aesthetics and philosophy of modern art, identified the aerial landscape (especially the "bird's-eye view", looking straight down, as opposed to an oblique angle) as a genuinely new and radicalizing paradigm in the art of the twentieth century.
Veronica persica is an annual that reproduces from seed. Its cotyledons are triangular with truncated bases. The short-stalked leaves are broadly ovate with coarsely serrated margins, and measure one to two centimetres (0.4 to 0.8 in) long. The leaves are paired on the lower stem and are alternately arranged on the upper parts.