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Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures. Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The ...
Nativity with Saint Francis and Saint Lawrence, Caravaggio, 1609. 268 cm × 197 cm (106 in × 78 in) The Nativity with Saint Francis and Saint Lawrence is a painting of the nativity of Jesus from 1609 by Italian painter Caravaggio. It has been missing since 1969 when it was stolen from the Oratory of Saint Lawrence in Palermo.
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [ 19 ] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
The Neapolitan nativity scene of the Royal Palace of Caserta. [1] The Neapolitan nativity scene is a representation of the birth of Jesus traditionally set in Naples in the eighteenth century. [1] The Neapolitan crib art has remained unchanged for centuries, becoming part of the most consolidated and followed Christmas traditions of the city.
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art. Here, "art" means the visual arts, not music or drama.
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus , and is one of the latest surviving paintings made by the artist before his death in 1492.
The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.
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