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Shirley Scott released a version of the song on her 1969 album Shirley Scott & the Soul Saxes [15] Andy Williams released a version of the song featuring The Osmonds on his 1969 album Get Together with Andy Williams [16] Barbara McNair released a version of the song as the title track of her 1969 album More Today Than Yesterday
"O bury me not on the lone prairie Where coyotes howl and the wind blows free In a narrow grave just six by three— O bury me not on the lone prairie" "It matters not, I've been told, Where the body lies when the heart grows cold Yet grant, o grant, this wish to me O bury me not on the lone prairie." "I've always wished to be laid when I died
Newman says that the song was inspired by his own lighthearted reflection on the Los Angeles music scene of the late 1960s. As with most Newman songs, he assumes a character; in this song the narrator is a sheltered and extraordinarily straitlaced young man, who recounts what is presumably his first "wild" party in the big city, is shocked and appalled by marijuana smoking, whiskey drinking ...
' How ') is a song by Filipino singer-songwriter Zack Tabudlo from his third studio album, 3rd Time's a Charm (2023). It was released to music and streaming platforms on December 6, 2021, via Island Records Philippines and UMG Philippines. Self-written and produced by Tabudlo, the lyrics allude to self-pity and questioning one's unrequited love.
It samples "I Love You" by East of Underground, which is a cover of "I Love You for All Seasons" performed by The Fuzz; The Fuzz member Shelia Young is credited as a co-writer. [3] The song received acclaim from critics, with Billboard ranking it as the 6th best song of 2019. [4]
"Filipino Baby" is a country music song written by Bill Cox and Clarke Van Ness. First recorded in 1937, it was based on an earlier song from 1899. The song became a hit in 1946 for three different country artists: Cowboy Copas, T. Texas Tyler, and Ernest Tubb.
Jimmie Daniels (1934, "Liberty Music Shop Presents Jimmie Daniels") [4] [5] Ethel Waters recorded a popular version of the song in New York City in 1934, released before the London debut of Hi Diddle Diddle. This was the only Porter song that Waters ever covered. [6] Josh White (1944) [7] Monty Woolley (1946, Night and Day)
The song and music video, directed by Julien Christian Lutz (Director X) were released at midnight on January 10. The music video depicts Future and Drake as men with ordinary jobs, including fast food workers, mechanics, IT workers, off-brand Apple Store employees, garbage men, chefs, aspiring rappers, and assistant directors.
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