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4 and the half-jump step of the dance. [ 1] This name has been changed to "Polka" as an expression of honour and sympathy for the Poland and the Poles after November Uprising 1830-1831. "Polka" meaning in The Czech and Polish languages is "Polish woman". [ 2] The name was widely introduced into the major European languages in the early 1840s.
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
It is notated in 4 4 or 2 2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.
Reel (dance) The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of Britain, Ireland and North America. [ 1] In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey ...
Time signature. 4. 4. Year. 1950's. Origin. Cuba. The cha-cha-cha (also called cha-cha ), is a dance of Cuban origin. [ 1][ 2] It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo.
Country-western two-step. The country/western two-step, often called the Texas two-step[ 2] or simply the two-step, [ 3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found ...
Marches in 2 4 time typically are written for the performer as it is easier to read at faster tempos. Many European marches are written in 2 4, and almost all American galops as well. Galops are played at a very fast tempo, sounding as if there was one beat to the bar. 4 4 time marches are rare. However, some slow marches such as dirges use it.
The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can ...