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G minor is a minor scale based on G, consisting of the pitches G, A, B ... Scale degree chords. Tonic – G minor; Supertonic – A diminished; Mediant – B-flat major;
The harmonic minor scale (or Aeolian ♯ 7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees. Thus, a harmonic minor scale is represented by the following notation:
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, although Bach also used the key for some 4
A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor , and in some cases, with the keys of G-flat major and F-sharp minor ).
A leading-tone chord is a triad built on the seventh scale degree in major and the raised seventh-scale-degree in minor. The quality of the leading-tone triad is diminished in both major and minor keys. For example, in both C major and C minor, it is a B diminished triad (though it is usually written in first inversion, as described below).
These indicate a chord formed by the notes C–E–G ♯ –B ♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G ♯, and the (minor) seventh interval from C to B ♭ . Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis ...
Minor chords are constructed by the harmonization of minor scales in triads. Seventh chords: major–minor chords with dominant function The previously noted chord progression with a dominant seventh Play ⓘ. The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C.
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