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1883. (TV series) 1883 is an American Western drama miniseries created by Taylor Sheridan that premiered on December 19, 2021, on Paramount+. The series stars Tim McGraw, Faith Hill, Sam Elliott, Isabel May, LaMonica Garrett, Marc Rissmann, Audie Rick, Eric Nelsen, and James Landry Hébert. The story is chronologically the first of several ...
Box office. $21.7 million [ 2] The Russians Are Coming, the Russians Are Coming is a 1966 American Cold War comedy film directed and produced by Norman Jewison for United Artists. The satirical story depicts the chaos following the grounding of the Soviet submarine СпруT (pronounced "sproot" and meaning "octopus") off a small New England ...
The Outsiders. (film) The Outsiders is a 1983 American coming-of-age crime drama film directed by Francis Ford Coppola. The film is an adaptation of the 1967 novel of the same name by S. E. Hinton and was released on March 25, 1983, in the United States. Jo Ellen Misakian, a librarian at Lone Star Elementary School in Fresno, California, and ...
No Retreat, No Surrender is a 1985 martial arts film directed by Corey Yuen in his American film directorial debut. It is the first title in the No Retreat, No Surrender franchise, whose plot lines and characters are mostly unrelated. It stars Kurt McKinney, with a supporting cast of Jean-Claude Van Damme, J.W. Fails, Kathie Sileno, and Kim Tai ...
Languages. English. Japanese. Box office. $14.9 million [ 2] Emperor is a 2012 American-Japanese [ 3] historical drama film directed by Peter Webber. Tommy Lee Jones and Matthew Fox star in lead roles as General Douglas MacArthur and Brigadier General Bonner Fellers respectively.
Khartoum. (film) Khartoum is a 1966 British epic war film written by Robert Ardrey and directed by Basil Dearden. It stars Charlton Heston as British General Charles "Chinese" Gordon and Laurence Olivier as Muhammad Ahmed (a Sudanese leader whose devotees proclaimed him the Mahdi ), with a supporting cast that includes Richard Johnson and Ralph ...
The film did not garner many positive reviews, scoring a 9% fresh rating on Rotten Tomatoes, based on 11 reviews. [1] Many critics [who?] felt that Robin Williams's and Walter Matthau's styles of humor did not mesh well. [citation needed] An exception to the negative critical tide was the review that Pauline Kael gave in The New Yorker:
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