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Viewing frustum. v. t. e. A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and records the subject. They also include the eye-level shot, over-the-shoulder shot, and point-of-view shot. A high-angle (HA) shot is a shot in which the ...
Basic definitions of terms. A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. A shot taken from an aerial device, generally while moving.
The name of the anthology is a play on the phrase "bird's eye view", an elevated view of an object from above. However, 鳥, meaning bird, is replaced with 烏 meaning crow. It is generally accepted that this is meant to further the themes of anxiety and fear that the poetry deals with, as crows are traditionally associated with misfortune.
An aerial view of the city of Pori, Finland. Air photo of a military target used to evaluate the effect of bombing. Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms. [1] When taking motion pictures, it is also known as aerial videography .
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson, who also collaborated on Baraka (1992), a film of a similar vein, and Chronos (1985).
Modernist abstraction and the aerial landscape. The artist Kazimir Malevich (1878–1935), who wrote extensively on the aesthetics and philosophy of modern art, identified the aerial landscape (especially the "bird's-eye view", looking straight down, as opposed to an oblique angle) as a genuinely new and radicalizing paradigm in the art of the twentieth century.
Veronica persica is an annual that reproduces from seed. Its cotyledons are triangular with truncated bases. The short-stalked leaves are broadly ovate with coarsely serrated margins, and measure one to two centimetres (0.4 to 0.8 in) long. The leaves are paired on the lower stem and are alternately arranged on the upper parts.
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