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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    List of chord progressions. The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...

  6. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Download as PDF; Printable version; In other projects Appearance. move to sidebar hide The following is a list of ... 0 4 7 t 2 5 9: Major Dream chord: Play ...

  7. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

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