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Paradigmes is a mix of a bunch of songs recorded from 2012 to 2018, in France, Spain, and the United States. [ 2] Prior to the album's release, main vocalist Clémence Quélenec left the band for her solo career, and former member Clara Luciani participated in backing vocals for Forienger and Paradigme. [ 3]
La Femme. La Femme are a French psych-punk rock band [1] established by guitarist Sacha Got and keyboard player Marlon Magnée in 2010 in Biarritz. Several members joined later, including former lead singer (until 2019) Clémence Quélennec, bass player Sam Lefevre, drummer Noé Delmas, and Lucas Nunez. Other members include Clara Luciani, Jane ...
La Femme Nikita. episodes. La Femme Nikita is a television series from Warner Bros. and Fireworks Entertainment. The series premiered on USA Network on January 13, 1997 and ended March 4, 2001, with a total of 96 episodes over the course of five seasons. The number of words comprising each episode's title is equal to the number of the season in ...
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La Femme Nikita ( French pronunciation: [la fam nikita], literally "The Woman Nikita"; called Nikita in Canada) is a Canadian action - drama television series based on the French film of the same name by Luc Besson. The series stars Peta Wilson as the title character. It was co-produced by Jay Firestone of Fireworks Entertainment and Warner ...
It should only contain pages that are La Femme albums or lists of La Femme albums, as well as subcategories containing those things (themselves set categories). Topics about La Femme albums in general should be placed in relevant topic categories .
"Femme Like U (Donne-moi ton corps)" more commonly known as "Femme Like U" is a 2004 song recorded by Canadian artist Cyril Kamar, better known under the name of K.Maro. The song was released as the first single from his album La Good Life , on May 8, 2004.
The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film. This made the process of script preparation particularly difficult. [3] The film's sets were designed by the art directors Boris Bilinsky and Pierre Schild. [2]